Following the attack on Pearl Harbor and the entry of the United States into World War II, many commercial advertisers and their Madison Avenue ad agencies instantly switched from selling products and services to selling the home front on ways to support the war. Ads by major manufacturers showcased how their factories had turned to war production, demonstrating their participation in the war and helping people understand, for instance, that they couldn’t buy a new washing machine because the company was making munitions. Other ads helped civilians cope with wartime rationing and shortages by offering advice on how to make leftovers tasty, make shoes last, and keep a car in good working order. Ads also encouraged Victory Gardens, scrap collecting, giving blood, and (most important) buying War Bonds. In this book, Jones examines hundreds of ads from ten large-circulation news and general-interest magazines of the period. He discusses motivational war ads, ads about industrial and agricultural support of the war, ads directed at uplifting the morale of civilians and GIs, and ads promoting home front efficiency, conservation, and volunteerism. Jones also includes ads praising women in war work and the armed forces and ads aimed at recruiting more women. Taken together, war ads in national magazines did their part to create the most efficient home front possible in order to support the war effort.

A comprehensive overview of recent thinking, new data, syntheses, and insights into current Puerto Rican archaeology
 
Ancient Borinquen is a re-examination of the archaeology of Puerto Rico, drawing data from beyond the boundaries of the island itself because in prehistoric times the waters between islands would not have been viewed as a boundary in the contemporary sense of the term. The last few decades have witnessed a growth of intense archaeological research on the island, from material culture in the form of lithics, ceramics, and rock art; to nutritional, architecture, and environmental studies; to rituals and social patterns; to the aftermath of Conquest.

It is unlikely that prehistoric occupants recognized the same boundaries and responded to the same political forces that operated in the formation of current nations, states, or cities. Yet, archaeologists traditionally have produced such volumes and they generally represent anchors for ongoing research in a specific region, in this case the island of Puerto Rico, its immediate neighbors, and the wider Caribbean basin.
 
Ancient Borinquen provides a comprehensive overview of recent thinking, new data, syntheses, and insights into current Puerto Rican archaeology, and it reflects and illuminates similar concerns elsewhere in the West Indies, lowland South America, and Central America.
 

In the late 2010s, the United States experienced a period of widespread silencing. Protests of unsafe drinking water have been met with tear gas; national park employees, environmentalists, and scientists have been ordered to stop communicating publicly. Advocates for gun control are silenced even as mass shootings continue. Expressed dissent to political power is labeled as “fake news.” DREAMers, Muslims, Trans military members, women, black bodies, the LGBTQI+ community, Latina/o/x communities, rape survivors, sex workers, and immigrants have all been systematically silenced. During this difficult time and despite such restrictions, advocates and allies persist and resist, forming dialogues that call to repel inequality in its many forms. Addressing the oppression of women of color, white women, women with (dis)abilities, and LBTQI+ individuals across cultures and contexts remains a central posit of feminist struggle and requires “a distinctly feminist politics of recognition.” However, as second wave debates about feminism have revealed, there is no single way to express a feminist politic. Rather, living feminist politics requires individual interpretation and struggle, collective discussion and disagreement, and recognizing difference among women as well as points of convergence in feminist struggle.
 
Badass Feminist Politics includes a diverse range of engaging feminist political projects to not only analyze the work being done on the ground but provide an overview for action that can be taken on by those seeking to engage in feminist activism in their own communities. Contributors included here are working for equality and equity and resisting violent, racist, homophobic, transphobic, xenophobic, and sexist language and action during this tension-filled political moment. Collectively, the book explores what it means to live and communicate feminist politics in everyday choices and actions, and how we can facilitate learning by analyzing these examples. Taking up current issues and new theoretical perspectives, the authors offer novel perspectives into what it means to live feminist politics. This book is a testament to resilience, resistance, communication, and forward thinking about what these themes all mean for new feminist agendas. Learning how to resist oppressive structures through words and actions is particularly important for students. Badass Feminist Politics features scholars from non-dominant groups taking up issues of marginalization and oppression, which can help people accomplish their social justice goals of inclusivity on the ground and in the classroom.
 

Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapers’ front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the “gunboat” musicals of the Teddy Roosevelt era and the “Cinderella shows” and “leisure time musicals” of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, Jones’s book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, Jones’s comprehensive social history will appeal to both students and fans of Broadway.